![]() And while that might mean that Chulahoma doesn't necessarily sound like a kissing cousin to Kimbrough's originals, it does make it a greater, richer tribute than most cover albums, and it certainly proves that Auerbach's testimonial in the liner notes about how Junior Kimbrough changed his life is no lie. That alone would make it a unique, noteworthy detour for the Black Keys, but when this is compared to Kimbrough's original recordings, it becomes an instructive listen since a side-by-side listen reveals how Auerbach drew inspiration from Kimbrough's stripped-down, idiosyncratic grooves and took it into some place entirely different. That unsettling undercurrent flows throughout this brief EP, and it makes Chulahoma an album that's ideal for pitch-black nights, where the music can worm its way into your imagination and then run wild. Take "Have Mercy on Me" - its winding, narcotic blues groove settles into a bed of droning organ and bongos, but the interplay between guitarist/vocalist Dan Auerbach and drummer Patrick Carney prevents it from sounding as affected as psychedelia, while infusing it with a real sense of danger. Instead, this is the weirdest set of music the band has done to date, a trippy, murky excursion into territory that floats somewhere between the primal urgency of the duo's best work and the dark, moody psychedelia of late-'60s blues-rock. The six songs on this 28-minute EP are hardly replications of Kimbrough's gritty originals, nor do they have the dirty, punch-to-the-gut feel of any of the duo's three proper albums. Considering that this is the first time the blues-rock guitar-n-drums duo has devoted an album to nothing but straight-ahead blues songs, it wound seem logical that Chulahoma would be the bluesiest recording in their catalog, but the Black Keys aren't that simple. Now let's get back to our keyboards and play some great music □īy the way, click here if you want some fresh ideas about practicing scales.Chulahoma is a stopgap EP from the Black Keys, a collection of six covers of songs by cult bluesman Junior Kimbrough, whose "Do the Rump" they covered on their 2002 debut, Big Come Up. Whew - I'm glad we cleared that up! We can happily let our thumbs land on the black keys in most music situations except when they involve scales. Your thumb is fine on the Bb and, in fact, feels good in that position. This is because you don't need to pivot anywhere. You may need to slide your 3rd finger up to the middle of the D, but it should feel natural. Ella es toda mia Toda mia, toda mia, toda mia Amo el modo en que ella camina Si, ella camina bien Amo el modo en que habla Aw si ella. Try this: play a Bb chord with your RH: Bb, D, and F, all at once using 1,3 and 5. Keep your hands off of my girl She dont belong to you Love her, I love her, I love her I love her, I love her, I love her Keep your hands off of my girl She dont belong to you. This method fits the shape of our hands better.īut what about all the times when you're not playing scalar passages? Now let's look at those situations. ![]() This is why different scales use different fingering to keep our thumbs on the white keys (which are physically lower). Much easier, right? Your thumb now functions as a "pivot" on the white note. Now play the F major scale again, this time using the proper fingering of 1234123. Do you feel how awkward this is? By placing your thumb on the Bb and then continuing with the scalar passage, you've forced your hand to practically turn a somersault. Now play it again, using the same fingering. In other words, you're using the familiar C major scale fingering (1231234) on F major, which contains the Bb as its 4th note. Continue with your 2nd finger on C, 3rd on D, etc. Then, reach your thumb underneath your hand and stretch it to play the next note in the scale, the Bb. Lyrics to 'Keep Your Hands Off Her' by THE BLACK KEYS: She's all mine / She mine, all mine, all mine / I love the way she walks / Yeah, she walk good / I love the way she talks / Aw yeah she talk good / Chorus: / Keep your hands off of my girl / She don't belong to you / Bridge: / Love her, I love her, I love he. Start with your thumb on F, and play F, G, and A. Download Pdf Strumming There is no strumming. Let's make an experiment: Go to your piano or keyboard and play an F major scale with your right hand. Keep Your Hands Off Her Tab by The Black Keys 1,509 views, added to favorites 19 times Author Acoustic archie a 193. The issue only occurs when you play a scale. Yes, you can use your thumbs on the black notes! In fact, pianists do it all the time. Well I'm here to tell you that it's easier than you think. A new student will tell me they've heard that "you should keep your thumbs off the black keys." But in order to follow this "rule" they end up turning their whole hand in and awkward manner all to avoid playing a black key with their thumb.
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